Author: Maxinne Vianca Tomas

In a race against time, audiovisual archivists keep the tapes rolling

Illuminating forgotten spaces, audiovisual archivists pull the lost frames of Filipino heritage into present consciousness.

Uy, tomboy! Reversing the reset of the Filipino lesbian identity

Against constant erasure and policing, masculine and gender non-conforming lesbians stand at the frontlines of subversive queer expression.

Unfolding Binalot’s eco-friendly legacy, one leaf at a time

More than food, Binalot stands as a chain rooted in sustainability—serving customers and communities through their beloved leaf-wrapped meals.

There are no mourners in DLSU

Lacking bereavement leave laws and dismissive outlooks on grief make it hard to counter DLSU’s vague policy on excused absences due to familial death.

Coloring the silver screen by diversifying queer narratives

In the Philippines, queer representation in cinema still has its everests to climb, but its recent triumphs are not to be left for the end credits.

The thrill of the chase: Betting on a losing game with online gamblers

Despite the official call to shut down POGOs, the lucrative temptation of always being one turn away from the jackpot keeps players coming back.

After dark, DLSU lies in wait

As darkness casts its shadow on the Manila campus, tales of treacherous terror fill the University’s halls.

Writer’s Recap: The spectacle that is ‘Animo Pride: Drag Concert Extravaganza’

“Animo Pride: Drag Concert Extravaganza” turned queer celebration notches above the status quo.

Gowns, gold, and glory: The splendor of Santacruzan processions

A cornerstone of local culture and festivities, the Santacruzan is a celebration of faith and reverence as one community.

Writer’s Recap: HTG’s Paroo’t Parito finds common thread in tales of Nueva Vizcaya

The theatrical group staged the tale of Nueva Vizcayan women and children who clung to their dreams to rise above the tribulations that came their way.